Category Archives: Infrastructural Theory

The language of Smart City is always Global Business English

… the cities of the future won’t be “smart,” or well-engineered, cleverly designed, just, clean, fair, green, sustainable, safe, healthy, affordable, or resilient. They won’t have any particularly higher ethical values of liberty, equality, or fraternity, either. The future smart city will be the internet, the mobile cloud, and a lot of weird paste-on gadgetry, deployed by City Hall, mostly for the sake of making towns more attractive to capital.

Whenever that’s done right, it will increase the soft power of the more alert and ambitious towns and make the mayors look more electable. When it’s done wrong, it’ll much resemble the ragged downsides of the previous waves of urban innovation, such as railways, electrification, freeways, and oil pipelines. There will also be a host of boozy side effects and toxic blowback that even the wisest urban planner could never possibly expect.

Chairman Bruce at The Atlantic.

“Engineers try to do politics by changing infrastructure.”

From an interview with Fred Turner:

What are the “politics of infrastructure”? What does that phrase mean?

It means several different things. First, it involves the recognition that the built environment, whether it’s built out of tarmac or concrete or code, has political effects. I was joking earlier about reshaping the Forum, but I shouldn’t have joked quite so much, because the fact that the Forum was round encouraged one kind of debate.

Think about an auditorium where someone sits onstage and the audience watches, versus a Quaker meeting where everyone sits in a circle. They’re very different.

So, structure matters. Design is absolutely critical. Design is the process by which the politics of one world become the constraints on another. How are those constraints built? What are its effects on political life?

To study the politics of infrastructure is to study the political ideas that get built into the design process, and the infrastructure’s impact on the political possibilities of the communities that engage it.

Cited mostly because it’s something of a relief to hear a big-league talking head starting to come round to the ideas that a lot of my colleagues and friends have been working on for about the last decade or so. (But on the basis of personal experience, good luck trying to convince engineers that infrastructure is political; it’s among the discipline’s Great Unthinkables.)

And on that note, here’s a bonus snip from the same piece, on the (perceived?) libertarianism of the Valley:

… I think that the vision of the Valley as a libertarian space is a combination of actual libertarian beliefs held by people like Peter Thiel and a celebration of libertarian ideals by an East Coast press that wants to elevate inventor types. Steve Jobs is the most famous. East Coast journalists want to rejuvenate the American hero myth—and they’re going to find a world to do it in.

In order to make these heroes, however, they have to cut them off from the context that produced them. They can’t tell a context story. They can’t tell a structure story. They have to tell a hero story. Suddenly the heroes themselves look like solo actors who pushed away the world to become the libertarian ideal of an Ayn Rand novel. So I think it’s a collaboration between actually existing tech leaders and the press around a myth.

I have, for quite some time, been inclined to agree.

Roamin’ roads

Via kottke, this tube-map-style atlas of Roman roads lands foursquare in a gloriously tangled Venn intersection of Things I Really Love:

Subway-style map of Roman roads in Europe by Sasha Trubetskoy

If that’s whetted your appetite, the Stanford ORBIS Geospatial Model of the Roman World will take you all the way down the rabbit-hole. Those with a more parochial bent may prefer the tube-map atlas of Roman roads in the British Isles. (There are more of them than you think.)

A threshold phenomenon

This whole fake news phenomenon is hugely important and historically significant. At the moment I’m completely captivated by the strength of an analogy between the Gutenberg era and the internet era, this rhythmic force coming out of the connection between them. Radical reality destruction went on with the emergence of [the] printing press. In Europe this self-propelling process began, and the consensus system of reality description, the attribution of authorities, criteria for any kind of philosophical or ontological statements, were all thrown into chaos. Massive processes of disorder followed that were eventually kind of settled in this new framework, which had to acknowledge a greater degree of pluralism than had previously existed. I think we’re in the same kind of early stage of a process of absolute shattering ontological chaos that has come from the fact that the epistemological authorities have been blasted apart by the internet. Whether it’s the university system, the media, financial authorities, the publishing industry, all the basic gatekeepers and crediting agencies and systems that have maintained the epistemological hierarchies of the modern world are just coming to pieces at a speed that no one had imagined was possible. The near-term, near-future consequences are bound to be messy and unpredictable and perhaps inevitably horrible in various ways. It is a threshold phenomenon. The notion that there is a return to the previous regime of ontological stabilization seems utterly deluded. There’s an escape that’s strictly analogous to the way in which modernity escaped the ancien régime.


My tendency is not to draw a huge distinction between [scientists and artists]. In all cases one’s dealing with the formulation or floatation of certain hypothesis. I am assuming that every scientist has an implicit science fiction. We all have a default of what we think the world is going to be in five years time, even if it’s blurry or not very explicit. If we haven’t tried to do science fiction, it probably means we have a damagingly conservative, inert, unrealistic implicit future scenario. In most cases a scientist is just a bad science fiction writer and an artist, hopefully, is a better one. There is, obviously, a lot of nonlinear dynamism, in that science fiction writers learned masses from scientists, how to hone their scenarios better, and also the other way around. Science fiction has shaped the sense of the future so much that everyone has that as background noise. The best version of the near future you have has been adopted from some science fiction writer. It has to be that science is to some extent guided by this. Science fiction provides its testing ground.

Nick Land.