It is the job of a critic to reject the relativism and pluralism of modern life. All the time, from a million sources, we are bombarded with cultural information. A new film or the music of the moment can enter our minds regardless of quality and regardless of our interest. In fact, in this age of overload, indifference is the most likely effect of so many competing images. If we do make an aesthetic choice it is likely to be a consumerist one, a passing taste to be forgotten and replaced in a moment.
Real criticism is not about distinguishing good from bad; it is about distinguishing good from great. There’s plenty of terrible art around, but it usually finds its level in the end. The curse of our time, in the arts, is mediocrity and ordinariness: the quite good film that gets an Oscar, the OK artist who becomes a megastar. Truly remarkable art is rare and to see it when it comes, to fight for it, to hold it up as an example for the rest â€” that is the critic’s true task.
Not sure I agree with him entirely (I’m not letting go of pluralism just yet, because I see it as less of a creed and more of a phenomenological map of the human cultural consensus, if that makes any sense), but I like the general shape of his argument. What about you?