Fresh from the clogged tubes of teh intarwubs…
"… when will religious compounds meet their Tom Vanderbilt—that is, a journalist willing to travel around the world writing an architectural history of these fringe religious environments and stylistically eccentric cult enclaves?
These are sites built such that their every spatial detail is not justified by some historically rigorous academic architectural code, but because they function, psychologically, as a piece-by-piece tuning of the built environment. Add enough ornamental references together, these spaces say, and some weird new Messiah might yet someday return. It is *functional ornament*."
"Of course, the term “indie” is troubled now, too. Indie is, at once, a genre (of music first, and then of film, books, video games and anything else with a perceived arty sensibility, regardless of its relationship to a corporation), an ethos, a business model, a demographic and a marketing tool. It can signify everything, and it can signify nothing. It stands among the most important, potentially sustainable and meaningful movements in American popular culture—not just music, but for the whole cultural landscape. But because it was originally sculpted more in terms of what it opposed than what it stood for, the only universally held truth about “indie” is that nobody agrees on what it means."
"Regulating copies simply makes no sense in a digital world where every piece of content is made up of bits because those bits must be copied before they can be consumed or shared. There is no digital equivalent of the library or used book store where culture can be preserved and found by anyone. The Google Book settlement has special provisions for libraries and academics, but Lessig warns against relying “upon special favors granted by private companies (and quasi-monopoly collecting societies).” Rather, he proposes something more radical and far-reaching. A complete overhaul of copyright law which would include a mandatory registry of who owns what (to make it easier to track down copyright holders to ask for permission to use a work) and protection of a work as whole rather than protection to its constituent parts."