Online reviews and online submissions

I expect many of you will have already noticed that the guys at SF Signal were short of more erudite commentators, and hence decided to ask me to contribute to their new “Mind Meld” feature. The question was:

“From your point of view, how has the proliferation of online book reviews affected the publishing world?”

The responses are very interesting, actually – quite harmonious in many respects, though with everyone playing their own little melodic riffs on the theme. Go take a look, leave some comments over there.


While we’re on the subject of the effect of the web on genre fiction, here’s an intriguing thinking-out-loud post from Jeremiah Tolbert, who’s wondering where he should be submitting to build up his short fiction career:

“For a while, I decided that I would only submit my work to places that would take electronic submissions. I was making so little off of the sales that I did make that it wasn’t worth the cost of postage and envelopes. I haven’t decided whether I should change that policy yet or not, honestly. So many ‘zines do take electronic submissions now. Which don’t? F&SF, Asimov’s, and Analog. The so-called “Big Three.”

I’m kind of curious to see if I can build a reputation for myself without appearing in those markets. They don’t pay that much better than anyone else, and their circulation isn’t spectacular (although it may be better than just about everyone except Escape Pod). It’s kind of weird, but for the purposes of building an audience, I think making reprint sales to Escape Pod might be the best thing I can do for myself.

That’s a very weird situation, and really represents the state of the industry.”

The man has a point. Your thoughts?

[tags]book, reviews, publishing, short, story, fiction, markets, submissions, electronic[/tags]

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