Tag Archives: Twelve Tomorrows

More dreams, fewer pipes

I get published, y’know.

Now, I announced the release of the Noir anthology from Newcon Press aaaages ago, but the world of reviewing moves pretty slowly when it happens off-line, and only now has this incredibly flattering write-up of my story “A Boardinghouse Heart” made it onto the hallowed pages of Vector, courtesy of the mighty Martin McGrath (who is not know for cutting crap fiction any slack, I might add). Quoth McGrath, the story:

“… is very fine indeed — compact, dense and intelligent, it is more-or-less everything I’d hoped for when I picked up the collection. It’s a detective story — or at least it’s a story with a detective in it — set on the slippery streets of a richly realised city. The protagonist, as should be the case in all good noir stories, is hopelessly out of his depth and beset by those more powerful and cleverer than he is. The most effective element is the way in which the story immerses you in a city, gives it history and heft, yet never burdens the reader with hefty exposition. I also liked its refusal of any heroic narrative. It’s a fine achievement and worth the price of admission on its own.”

That price of admission is £2.01 as a Kindle ebook, and rather more for paperback or hardback (signed) versions, should you be tempted by this effusive praise.

There have been few reviews of the Twelve Tomorrows anthology, possibly because MIT Tech Review took a somewhat “fire and forget” approach to promoting it, but the October print edition of Locus picked it up in two separate columns, in one of which Gardner Dozois declares:

“[t]he best stories here are Lauren Beukes’s “Slipping” and Paul Graham Raven’s ”Los Piratas del Mar de Plastico (Pirates of the Plastic Ocean)”, both of which manage to inject human drama into their visions of the future, as well as characters you care about who are faced with situations where they have something and something significant at stake.”

Which is a fairly writer’s-workshop-y kind of compliment, perhaps, but it comes from a man who’s been in the anthology editing game for almost as long as I’ve been alive, so I’m gonna go right ahead and take him at his word. Twelve Tomorrows also available in ebook form for UK readers via everyone’s favourite rapacious and riparian online retailer, for a mere £5.99. A steal, really, when you see who else is in there alongside me.

Last but not least, albeit considerably less glamorous, here’s an article I wrote for Water & Wastewater Treatment Magazine about Pipedreams, one of the big meta-projects of the Pennine Water Group, wherein I am currently embedded as a postgraduate researcher. Even though I struggle to explain my own research concisely, I can at least explain that of my colleagues, wot?

On objectivity

This essay by Cara Ellison is both a fairly bravura bit of internet-era confessional rage-ranting and an insight into the lifestyle and finances of the freelance games reviewer (which is much like that of many freelance writers, I suspect; I certainly recognise the bit about measuring gigs in terms of what percentage of one’s next rent payment they represent). For my money, though, this ‘graph is the slamdunk:

The necessary rise of the satirical website ‘Objective Game Reviews’ is enough to make me feel depressed, but if you want to see what an ‘objective’ review looks like maybe go and fud yourself silly on that site and come back to me when you are 1) older than sixteen 2) would like my goddamn experienced opinion on a game. The only reason game criticism exists is so that you can orientate yourself around a particular critic’s taste. If the critic is any good you can tell from their analysis whether you will like the game or not, regardless of whether the critic in question actually thought the game was any good at all.

Amen to that; I suspect there will be readers who misunderstand the role of criticism for as long as there are readers, and I am reassured to find that I give less of a crap for what they think as the years go by.

Oh, while you’re here — did you fancy buying a copy of Twelve Tomorrows so you could read my story, but didn’t fancy getting a copy shipped from the States? Well, everyone’s favourite disintermediatory retail-disruption corporation has got you covered with a £6.21 UK Kindle edition, available now. Let me know what you think, if you like.

Pirates of the Plastic Ocean, plus LonConnery

I can finally fully announce some very agreeable publications news: my story “Los Piratas del Mar de Plastico” appears in this year’s Twelve Tomorrows, which is MIT Technology Review‘s annual all-fiction special. (On Stateside newsstands in August, I believe — though I know next to nothing about UK/Europe/global availability. You can sign up on that page to be alerted when copies go on sale, though.)

Cover art for Twelve Tomorrows-2014

It’s an astonishing list of names to see myself alongside, and no mistake: Bruce Sterling (who took the editorial chair, and shoulders any blame for inviting yours truly to play alongside the grown-ups), William Gibson, Lauren Beukes, Pat Cadigan, Chris Brown (no, not that Chris Brown), Cory Doctorow, Warren Ellis. Receiving the invitation to contribute prompted the most intense burst of Imposter Syndrome I think I’ve ever had; it’s still not quite faded away, either.

Like most of my writing (yeah, yeah, I know), “Los Piratas… ” is not amenable to easy “what’s it about?” summary; that said, if you’ve read Keller Easterling’s Enduring Innocence, you’ll understand the choice of location (and the title ). As usual, I ended up trying to cram a novel’s worth of plot and ideas into a short story, and I’d have loved to have let it stretch out to novella length by expanding the aftermath section, which is necessarily summarised in broad strokes. But it was always intended as something of a polemic, and sometimes literary concerns have to take the back-seat when you’ve got a particular something to say to a particular audience. All that remains is to see how the audience reacts, I guess…

… and I expect I’ll get to find out at LonCon3 next month. (See? That’s how us pros make a segue, y’all.)

At the moment, it looks like I’ll be haunting the ExCel Centre (and, presumably, other significantly less monstrous venues in the same locale) in London from early afternoon Friday 15th August until the afternoon of Monday 18th. I’m on a handful of panels and giving a paper on the academic track, so if you want to come heckle a cyberhippy, these are the dates your diary needs:

  • Saturday 12:00 – 13:30, Capital Suite 15 (ExCeL): “Body Modification – From Decoration to Medication and Augmentation”

“From piercings and tattoos to laser eye surgery, we now have a world where decorative or voluntary medical body modifications are common. Modifications that add to our capabilities are starting eg. magnets implanted in fingers provide a magnetic sense. What more is coming? Zoom lenses for eyes? Enhanced muscles? Who is going to be the first with these and why, and will anybody want to install Microsoft Windows for brains?”

[Justina Robson (M), Paul Graham Raven, Jude Roberts, Frauke Uhlenbruch; no prizes for guessing how I ended up on this one]

  • Saturday 16:30 – 18:00, Capital Suite 15 (ExCeL): “50 Years After: Asimov predicts 2014 World’s Fair”

“In 1964, Asimov wrote a set of predictions for the 2014 World’s Fair. What did he predict, what did he get right and wrong, what did he say that was useful, and what did he miss completely?”

[Gerry Webb (M), Madeline Ashby, Stephen Foulger, Paul Graham Raven, Ben Yalow; I’m guessing this’ll be a bring-some-popcorn type of panel.]

  • Sunday 09:30 – 11:00, Capital Suite 6 (ExCeL): “Science Fiction from the Outside (academic track)”

“Three academics each give a 15 minute presentation. This is followed by a jointly held 30 minute discussion with the audience.”

Dan Smith, “Science Fiction and Outsider Art”
Paul Raven, “The rhetorics of futurity: scenarios, design fiction, prototypes, and other evaporated modalities of science fiction”
Andrew Ferguson, “Zombies, Language, and Chaos”

[John Kessel (M), Paul Graham Raven, Dr. Dan Smith, Andrew Ferguson; one for the inside-baseball crowd only, probably.]

  • Sunday 12:00 – 13:30, Capital Suite 16 (ExCeL): “Speculative Design”

“Assuming a new technology, like synthetic biology, works, what products might come out of it? Speculative design is both a new artistic approach and a way of looking at problems and issues in a different way.”

[Gary Ehrlich (M), Nic Clear, Scott Lefton, Paul Graham Raven, Sarah Demb; these are mostly new names for me, so I’m hoping to learn new things on this one.]

I’m sure I’ll attend a fair few other panels and things, too, but mostly I’m planning to keep my schedule open and flexible; I’ve done enough cons now to know how best to make them work for me, and it turns out that running around with a timetable isn’t it. Very much looking forward to this rare opportunity to see some long-term Stateside friends and colleagues in the flesh; if you’re one of them (or, indeed, one of anyone), do drop me a line so we can arrange to meet.

Otherwise, the best way to locate me on the fly will probably involve triangulating between Twitter, the bar, and the smoking area. See you there? Good.