“I am not interested in defining the ‘smart city’ so much as in investigating its persistent resistance to definition and exploring alternatives to its problematic framing of technologically mediated urban futurity.”
My opening move is to claim that the “smart city” is a generic narrative form in the technological-utopian tradition. After that… well, I wouldn’t want to spoil it for you, now would I?
In case the prospect of me railing against one of my love-to-hate suitcase words is not enticement enough, you should know that there’s twenty-nine chapters of social-futures fun in this volume, featuring such friends, acquaintances, colleagues and inspirations as Andrew Curry, Ann Light, Nicola Spurling, Genevieve Liveley, AbdouMaliq Simone, Lisa Garforth and Nick Dunn, among many others; the whole thing has been edited with admirable wisdom and patience under pandemic circumstances by Carlos López Galviz and Emily Spiers, whose work at the Lancaster Institute for Social Futures is a leading light in the field, if you ask me.
Now, as the title of this post makes clear, this is a Routledge title—and those acquainted even only in passing with academic publishing will know this implies that acquiring a copy will leave a serious dent in your bank account. As such, it’s probably the sort of thing that you’d be best to encourage your institutional library to acquire, assuming you are fortunate enough to have access to such a thing (and that it has the budget to do so); whoever might decide to buy it, the blow may be slightly softened by using the discount code FLY21 (as found on the flyer acting as an illustrative image for this post), which will result in a 20% reduction in the price.
Those for whom neither of these options are viable, but who would nonetheless like to see a copy of my chapter, should feel free to drop me a line; we’ll see what other options for dissemination are available.
Taking what feels like a well-earned and much-needed day off today, after yesterday’s launch of the above narrative prototype / experimental futures vehicle (via the second medium of a slightly kludgy pseudo-Brechtean performance of an online talk-show from 2041). If anyone had been wondering why things have been quiet here lately, getting this thing finished to deadline is one of the larger reasons!
Will likely write about it at greater length in the weeks ahead; for now, I’ll settle for a simple statement of the necessity – and joy – of having a great team to work with on the realisation of somewhat crazy ideas. Few things worth doing can be done well alone.
I get published, y’know? Here’s one that didn’t get a mention when it first dropped, because… well, because January, to be honest.
Sadly I can’t just send you to read the thing directly, either—because the thing in question is a chapter inthe new Routledge Handbook of Placemaking (edited by Cara Courage, with Tom Borrup, Maria Rosario Jackson, Kylie Legge, Anita Mckeown, Louise Platt, and Jason Schupbach) and Routledge Handbooks do not (to my knowledge) ever go open access. And I’m sure Routledge will take it on the chin if I use my academic freedom of expression to point out that their Handbooks are not cheap, either… though they do make up very nice promotional flyers, like this one below, and if you click through on this link (or the one above, or on the image of the flyer) and use the code SMA02 at checkout, you can get it at 20% off the list price.
It’s one chonky volume! Here’s the official marketing blurb:
This Handbook is the first to explore the field of placemaking in terms of the recent research, teaching and learning, and practice agenda for the next few years. Offering valuable theoretical and practical insights from the leading scholars and practitioners in the field, it provides cutting edge interdisciplinary research on the placemaking sector.
Placemaking has seen a paradigmatic shift in urban design, planning and policy to engage the community voice, This Handbook examines the development of placemaking, its emerging theories, and its future directions.
So perhaps your institution or organisation would be interested in making the investment? My guess is that, if you’re at all familiar with the term “placemaking” already, you might actually find this wide-ranging, critical and timely collection of essays to be of considerable utility and interest!* Perhaps you’re an academic in a discipline adjacent to planning, urbanism, or the more social/human ends of geography or sociology? Perhaps you work in local government, or in the consulting sector, around issues of redevelopment, social inclusion or neighbourhood identity? Or perhaps you’re involved in social practice arts, whether as a practitioner or a commissioner or a funder?
If you are any of those things, then the question of what placemaking is and has been, but also the question of what placemaking might yet be, is potentially relevant to you. Put it this way: I’m a scholar of climate futures and theorist of sociotechnical change, and what I learned about (and from) placemaking theory and practice truly revolutionised the way I think about my work—and indeed influenced the design of my current project.
(Admittedly the placemaking aspects of my current project are completely on hold due to prevailing pandemic suppression measures, but the point remains: if you’ve ever wondered what a collision between critical ethnography, action research, design futures interventions and contemporary arts practice might look like, then placemaking—and this book about it—can provide some answers.)
My chapter is titled “Experts in their own tomorrows: Placemaking for participatory climate futures”; given that abstracts don’t end up in this sort of handbook, I guess I can just share the one I wrote with you here, can’t I?
This chapter is concerned with the potential of placemaking for catalysing community adaptation to a climate-changed future, and with how researchers might support placemaking practitioners in that work.
The first section discusses the unfolding climate crisis as an urgent mandate for the reconfiguration of sociotechnical practices, and describes one way in which we might conceptualise and model those everyday activities in terms of their tangible and intangible elements.
The second section argues that placemaking might be seen as a methodology for extending that model into futurity, thus allowing for the extrapolative exploration of reconfigurations. This positions placemaking as a living laboratory for the participatory production of new practices, as well as for the reconstitution of the places in which those practices are situated.
The final section asks what might be offered to placemaking by researchers concerned with the sociotechnical transformations mandated by the climate crisis, whether in terms of theory or practice. What knowledges might we provide to make the consequences of a changing climate situated and legible for communities and placemaking practitioners? How might we better analyse and describe the relationships between the abstract of complex infrastructural systems and the concrete of local ways of life? And what arguments might we make to encourage placemaking, and integrate it into the greater project of adapting to the anthropocene?
But there’s much more than just my five-dollar-words malarkey in there; click on through for a look at the TOC and the structure. Seven sections! Forty-five chapters! The biggest names in social practice arts and scholarship! It’s a landmark publication, and I’m privileged and humbled to have been a part of it.
If you really can’t afford a copy—and hell knows I would sympathise with that—but you nonetheless think you’d like to read my chapter, and have a good professional and/or academic reason for doing so, well, drop me a line. Maybe we can work something out! But otherwise, please hassle your institutional or organisational library to order a copy; it ain’t cheap, but if you know the field, I dare say you’ll get the money’s worth. Plus it’s probably tax-deductible!
[ * — See, I could have been a copywriter. Maybe if I hadn’t gotten mixed up in this academic stuff? But I think copywriting is probably better off for my absence, on balance. As to whether the academy is better off for my presence, well, that hypothesis is still undergoing experimental evaluation… watch this space, wot? ]
The Museum of Carbon Ruins is… well, we’re still not sure how to categorise it, in truth. Is it an art intervention? An immersive research exhibit on decarbonisation? Climate change theatre? It’s all of these things, in a way – the common thread being the creation of a space of speculation about climate change, and how we might adapt to it.
The full paper is titled “Touring the carbon ruins: towards an ethics of speculative decarbonisation”, and it’s been made Open Access, so anyone and his uncle can just download it for free (thanks to the generosity of our funders &c &c). Why might you want to do so, you ask? Because, to the best of our knowledge, no one else has yet written a paper which confronts the ethics of a speculative climate futures intervention from the perspective of its creators/performers, and situates the work within what we describe as a dialectic of utopian modalities; regarding the latter, if you’ve been reading here for a while, you’ll recognise some thinking about the critical-utopian approach to futuring, which is yours truly bolting together ideas from science fiction studies, utopian studies, speculative design, and a few other places. Here’s the abstract:
For many years, questions about the future have been marginalised within the social sciences: asking how we might live in a post-fossil society, or what are the key decisions and events that could take us there, has been seen as outside of the disciplinary scope. In this paper – which takes as its point of departure the ‘speculative turn’ that is increasingly inspiring a range of works, from foresight scenarios to design fiction – we insist on the need to invent methods and practices which provide speculative spaces that allow such questions to be articulated. We use our own speculative initiative, ‘The Museum of Carbon Ruins’, to foreground a series of ethical questions that accompany such speculative endeavours, but which have so far been neglected in contemporary discussions. Working within a critical utopian modality, Carbon Ruins does not foreclose ethical possibilities, but allows citizens to grapple with, evaluate, amend and critique the post-fossil futures that official policy is striving towards.
Still curious? There’s more papers in the pipeline about the methodology of the Museum, so watch this space… but if you would like to ask questions at a somewhat less specialist/academic pitch, feel free to drop me a line (whether via this here blog’s contact page, or on the birdsite), and I’ll do my best to answer them.
science fiction / social theory / infrastructural change / utopian narratology