Loads of grimly chewy stuff in this Will Davies interview. Like this map-is-not-the-territory riff about smartphones, f’rex:
What the phone promises you psychologically is not content as such, but a space on the screen that is totally obedient to you. This translates into the illusion that the world, seen through the screen, will be equally obedient. I think any effort to try to understand smartphone addiction needs to grapple with the fact that it is much closer to a control technology than an information technology. Of course, it tells you useful things but what it offers you is navigation and control, the ability to make a fast-moving and confusing world obey you. One of the main contrasts in the book is between a view of the world that tries to represent it—the classically modern one of the seventeenth century for which the map would be a classic example—and a view of the world which brings it under control, which is a military ideal. Today, we often have no idea where we are going until we put a destination into our phone and follow the instructions. This navigation-based approach to the world originates from military technology and the need to bring the world under control.
Etymology is important, kids! “Cyber”: a contraction of “cybernetics”, derived from from the Greek kubernētēs (pilot, steersman) and/or kubernēsis (governance, leadership).
Most obviously, in using [smartphones] to navigate, we become reliant on access to the network to accomplish ordinary goals. In giving ourselves over to a way of knowing the world that relies completely on real-time access, we find ourselves at the mercy of something more contingent, more fallible and far more complicated than any paper map. Consider what happens when someone in motion loses their connection to the network, even briefly: lose connectivity even for the time it takes to move a few meters, and they may well find that they have been reduced to a blue dot traversing a featureless field of grey. At such moments we come face to face with a fact we generally overlook, and may even prefer to ignore: the performance of everyday life as mediated by the smartphone depends on a vast and elaborate infrastructure that is ordinarily invisible to us.
(Ordinarily, and also purposefully; Clarke’s Third Law is an implicit and nigh-ubiquitous directive in contemporary interface design, and in that enduringly popular branch of genre fiction known by its practitioners as “technological forecasting”.)
Beyond the satellites, camera cars and servers we’ve already identified, the moment-to-moment flow of our experience rests vitally on the smooth interfunctioning of all the many parts of this infrastructure—an extraordinarily heterogeneous and unstable meshwork, in which cellular base stations, undersea cables, and microwave relays are all invoked in what seem like the simplest and most straightforward tasks we perform with the device. The very first lesson of mapping on the smartphone, then, is that the handset is primarily a tangible way of engaging something much subtler and harder to discern, on which we have suddenly become reliant and over which we have virtually no meaningful control.
Adam Greenfield. The screen is the site of the Spectacle.