If it’s long past time to deny that ‘there is no alternative’ to capitalism, the time has come to renounce the parochial secular dogma of ‘the disenchantment of the world’. The pre-modern belief in the enchantment of the world – modernised in Romanticism, blending scientific rationality with Hopkins’s conviction of God’s worldly grandeur – offers a more humane and generous account of our place in creation, and it provides the most compelling foundation for opposition to capitalism.
Cf. my talk from a few years back: “How does the rabbit end up in the hat? (Or: what transhumanism doesn’t want you to know about infrastructure.)”
The technology/magic overlap is in desperate need of more thorough exploration. Assorted friends’n’colleagues have been doing great work with Haunted Machines, but that’s not quite the same thing that interests me; for me, technology isn’t merely analogous to stage magic, it IS stage magic. Which is fine, so long as everyone understands that the trick is a trick, and that the magic that powers the trick is a function of the plenitude of the world. But the disenchantment of capitalism is reified through infrastructure’s seeming provision ex nihilo: we mistake the plenitude of the world for the beneficence of the metasystem, while the latter is actually engaged in the effacement of the consequences of our consumption.
(Yes, this is just my own particular beachhead in the massed last-ditch assault upon the social/natural dichotomy. Because if you’re going to choose a hill to die on, why choose a crowded one?)