Tag Archives: futures

Weird futurings in the academic hinterlands

Vibrations in the web suggest that folk I don’t yet know are trying in various ways to force a bit of weirdness into the academic futures literature. I’m particularly taken with this title and abstract:

Sport hunting and tourism in the twenty-second century: humans as the ultimate trophy / Wright, Daniel W M (2019)

This paper aims to address the potential of hunting humans as sport tourism activity in the twenty-second century. The paper explores past and current trends related to sport hunting, animal extinction, human violence and the normalisation of violence via fictional media. This paper paints a provocative picture of society with the aim of encouraging dialogue across the wider community regarding the challenges facing society in relation to practices related to sport hunting and tourism.

Regrettably my institution doesn’t have access to the journal Foresight, so I think it’s time to ping the author and ask for a copy.

Here’s another paper from the same journal:

The future persona: a futures method to let your scenarios come to life / Fergnani, A (2019)

The purpose of this paper is to formally introduce the future persona, a futures method to let scenarios come to life. A future persona is a scenario-specific fictional individual living in the future scenario (s)he is meant to depict. The paper provides a formal, systematic and clear step-by-step guide on how to create engaging and effective future personas after a scenario planning exercise.

As I and others have noted before, futures studies and strategic foresight is severely hampered by its nigh-complete refusal to engage with narratology, despite the centrality of narrative to the work it aims to do. Which is presumably why this scholar has proudly announced their reinvention of the focalising character

Thick skein

You can’t talk about every possible future in one work of science fiction—that would be crazy. But what you could do is tell a bunch of stories that are relatively plausible, that are set in the near future, and that describe a course of action that readers can imagine in a kind of “thick” texture. Where you really feel like you’re there. There’ll be some contingent events and some characters that are representative, but they are also individual characters with their own quirks. There’ll be a story, and yet the reader will also say: “Well, yeah—this could be one way forward.” This way, you have the utopian strand of describing things going right. Do we have a sense that things could go right? Even if it’s physically possible, the question is: Is it politically possible, and is it humanly possible?

[…]

I would invite everybody to think of the Green New Deal as it currently exists (a document which is quite impressive in its amount of detail and substance) as a science-fiction story. It’s a utopian science-fiction story written in the form of a proclamation or a blueprint for action. In my short-story collection, The Martians, I experimented with all kinds of formats, including a short story in the form of the Martian Constitution and a short story in the form of an abstract in a scientific journal. In the case of the Green New Deal, and in the best possible way, I want to suggest that seeing it as a kind of science-fiction story is what we need. We need that kind of vision.

Kim Stanley Robinson

Re: the upper paragraph of this quote, cf. my piece for The Sociological Review (originally posted back in 2016) in which I argued for sf as a tool for speculative ethnography, providing a “thick description” of reconfigured sociotechnicalities; that argument was extended in my (open-access) paper for Energy Research & Social Science from 2017.

Regular readers will know I’m not a fan of the blueprint utopia per se, but note that KSR is here advocating specifically for multiple such blueprints, rather than simply advancing a single vision; that plurality is one way of avoiding the pitfalls of the solutionist technotopia. But it’s interesting to hear a fiction writer arguing for the treatment of policy documents as fictional forms, even if only in part; that understanding of the transposability of narratological approaches into political imaginaries is something my colleagues and I are working to develop further, and it’s good to have someone with the profile (and, let’s be honest, the charm and candour) of KSR arguing the same case.

Resistance to the colonising present

While I was in Hebden Bridge, I looked out of the window of a coffee shop one Friday at lunchtime, and saw a small crowd of schoolchildren on a climate protest. Sensitized by being in England, it dawned on me that what I was seeing was a rebellion of the natives against the colonizers – the inhabitants of the future marshaling resistance to the colonizing present and to the extraction of the resources that they will need to thrive.

The response of colonizing powers to uprisings has been chillingly consistent. […] It’s hard to stay optimistic when the worst of history is repeating itself, and writing a thousand words about colonial atrocities isn’t exactly helping. I want to be able to say with total confidence that we’re not going to open fire on anyone’s children for standing up against us and demanding a better world, but it’s really, really hard.

Deb Chachra

The notion that the present is colonising — or, in economic terms, externalising — the future is a powerful, if distinctly bleak metaphor. But I think it also contains some cause for hope regarding the ultimate result of this struggle, provided we lean into the metaphor a little further.

If the future stands for the colonised territories, then the past stands for the colonial core, the base of power from which the colonial project is directed and sustained as both project and narrative, through and into the present.

And we are currently seeing a substantive and drastic remapping of the past, a new narrative being pieced together by ever more subaltern voices: the enslaved, the oppressed, the exploited, slowly and painfully dragging into the light the stories of their subjection.

Empires collapse from the center outward. As the hold of capital and whiteness (which are effectively synonyms) over the past is loosened, its ideological supply-lines and recruitment strategies are thus broken and undermined. This would seem a good explanation for the recent surge in overt attempts to reassert this narrative, which previously had relied upon euphemism, effacement, and a veneer of scientism. The old metanarrative is breaking down, and we are living through the ever-more-desperate attempts of its primary benefactors to shore it up.

The hazard of collapse is the absence of a new narrative to take over from the old one. Deb goes on to say that:

… there absolutely is a path through to a better future for everyone, one that’s sustainable and resilient and equitable. But we have to learn to see it, to stay focused on it, and to follow it down. That’s the work.

That IS the work. It is all of our work — not just to tear down, but to replace. This holds true for physical systems as well as social ones — which, as I hope you know by now, are so entangled as to be inseparable.

Network is a verb. A network is a becoming, a thing that happens — a performance taking place upon and across a physical substrate. The engineering of the latter is part of the poetry of the former, and vice versa.

“The Imaginary Reconstitution of Society”: Levitas (2013), Utopia as method

  • Levitas, R. (2013). Utopia as method: The imaginary reconstitution of society. Springer.

(Only annotating the (brief) intro of this one for now; very much want to dig into the detail of the rest, but hahahah OMG scheduling.)

Levitas opens with H G Wells’s claim that “the creation of Utopias – and their exhaustive criticism – is the proper and distinctive method of sociology”, and observes that it seems somewhat counterintuitive in the context of contemporary understandings of both terms, and the latter’s attempts to distance itself from the former — Urry digs into this development in detail in What is the Future?, as I recall. However, sez Levitas, ‘both conventional sociology and critical social theory have unavoidable utopian characteristics, increasingly recognised in recent discussions.’ (p. xi; and even more so since this was published, I think)

‘The core of utopia is the desire for being otherwise, individually and collectively, subjectively and objectively. Its expressions explore and bring to debate the potential contents and contexts of human flourishing. It is thus better understood as a method than a goal – a method elaborated here as the Imaginary Reconstitution of Society, or IROS.’

(ibid.)

However:

‘… the most culturally prevalent understanding is quite different: utopia is commonly dismissed as an irrelevant fantasy or traduced as a malevolent nightmare leading to totalitarianism. This anti-utopian discourse equates utopia with a blueprint producing violence and teror, and gives rise to a politics of quiescent subordination to the dictates of capitalist markets.’

(p. xii; Levitas refutes this discourse by pushing against John Gray, its most notable peddler; I would note that the blueprint utopia is an extant form, and indeed a very prevalent one… but that it doesn’t think of itself as utopia, precisely because of its rational “deliverability”, which appears to give it a free pass from the standard anti-utopian attacks Levitas describes here)

Another unpopular point that’s well worth noting: ‘it is important to recognise the utopianism of right-wing politics, both at the level of improvised institutions and especially at the level of the state and the global market’ (ibid.); again, I think the aforementioned utopian scenarios (which tend to emerge from the state, or from businesses close to the state) fall into this category. I used to joke that the distinctive thing about conservatism was that its utopias were located in the past rather than the future; I don’t make that joke so much any more, not because I don’t believe it to be true, but because it stopped being funny.

Moving on, Levitas gets back to the matter of IROS, ‘the construction of integrated accounts of possible (or impossible) social systems as a kind of speculative sociology’, which is less an invention from whole cloth than a metalabel which ‘names methods that are already in play with the intention of clarifying and encouraging them’ (p. xiv); IROS ‘intrinsically necessitates thinking about the connections between economic, social and political processes, our ways of life, and what is necessary to human flourishing. It requires a holistic approach fundamental to the distinctive character of sociology [… but some] of the difficulties Wells identified remain pertinent, including the insistence on the scientific character of sociology. Contested ideas of possibility render some overt sympathy for utopia quite anti-utopian, while some overt suspicion of utopia is accompanied by a hopeful, visionary openness to the future.’ (p. xv)

‘The encounter between sociology and utopia implies reconfiguring sociology itself. Sociology must affirm holism and must extend this to include “the environment”, locating our human and social existence within the “natural” or material world. It must embrace the normativity that it has systematically sought to exclude, address the future which it has systematically sought to evade and engage with what it means and might mean to be human. […]

This encounter also implies thinking differently about what constitutes knowledge. It challenges the assumption that sociology constitutes a form of knowledge while utopianism is simply a form of speculation, and seeks to legitimise utopian thought not as a new, but as a repressed, already existing, form of knowledge about possible futures.’

(p. xv; cf. Moylan, though that’s no great surprise given Levitas has worked with Moylan, and utopian studies is not a huge scene)

IROS has three aspects or modes: ‘The first of these is an analytical, archaeological mode; the second an ontological mode; and the third a constructive, architectural mode.’ (p. xvii) Through the archaeological mode we can see that ‘the ideas of meritocracy and groweth that are supported across the range of public discourse imply modes of social organisation that are far from sustainable or equitable’ (p. xviii); meanwhile, the ontological mode is concerned with ‘grace, since imagining ourselves and our social relations otherwise is a necessary and unavoidable aspect of imagining a better society.’ (ibid.) Finally, the architectural mode is ‘concerned with what needs to change, […] with the principles and institutions of a potential alterantive world – yet one which needs to be treated as a hypothesis rather than a plan.’ (ibid.)

‘There are several advantages of utopian thinking as a method. It is holistic. […] It allows … an element of ethical and institutional separation from the present […] it is less constrained by what now seems immediately possible. Importantly, its explicitly hypothetical character enables us to insist on utopia’s provisionality, reflexivity and dialogic mode. […] The utopian method involves both making explicit the kinds of society implied in existing political programmes and constructing alternatives. It entails also considering the kinds of people we want to become and that different forms of society will promote or inhibit.’

(p. xviii)

“Aesthetic & ethical urbanisms”: Dobraszczyk (2019), Future Cities

  • Dobraszczyk, P. (2019). Future Cities: Architecture and the Imagination. Reaktion Books.

Good, passionate arguments here from my friend Dobraszczyk, making a case for future urban imaginaries as a necessary component of our collective coping with an uncertain future. Note his explicit disavowal of the predictive mode, and the arguments in favour of the imagination as not only (ultimately, eventually) productive of more realistically liveable cities, but also as a kind of ideological prophylactic against totalitarian ideologies. (Thus we might see Paul’s proposals here as a defence mechanism to be deployed against the totalising and black-boxing corporate narratives of “smartness” described in Sadowski & Bendor, 2019.)

Cities are always a meld of matter and mind, places that we are rooted in both physically and mentally […] rather than cleave the imagination from reason, should we not explore how the two are entangled – how together they can open up rich possibilities in terms of how we think the future?

(p. 8)

Here Dobraszczyk realises what has become a familiar truism of science fiction criticism: “Images of the future [as in science-fictional cities], no matter how fantastical they may be, are really about the present” (p. 8); I’d go further, and argue that the more fantastical the vision, the closer to the zeitgeist are the deep truths contained within.

… we now experience London as a product of Dickens’s texts [thanks to many years of Dickensian tourism opportunities… a] similar transference of imagined to real is now happening in the Blade Runner tours currently being offered to tourists in Shanghai.

(p. 10)

Against the hoarding render and the maquette: “Architectural visualization – especially in the digital age – relies upon images as tools of persuasion that effectively present something that is essentially a speculation, a fiction” (p. 10); Dobraszczyk notes that there’s often an absence of affect or feeling in these images, as they attempt to paper over “the gap between fantasy and reality”, but that absence “alerts us to the difference between fiction and fact, between the world as we find it and the world as we wish it to be.” (p. 11)

Noting the way in which the Burj Khalifa echoes an old Frank Lloyd Wright proposal for Chicago from the grand era of USian skyscrapers: “Past precedents will always be important because they almost always form the basis for more recent urban plans, no matter how unprecedented they may seem” (p. 11); see also, IMO, the way in which the “smart city” with driverless cars recapitulates the classic Futurama exhibit, in function if not in aesthetic.

“We must recognise that the imagination is key in how we ‘pre-experience’ alternative futures – how we can prepare ourselves for what might be coming. [These efforts] will not be primarily predictive – believable outcomes based on what we know already – but rather a range of stories that allow us to feel what it might be like to live in the future.”

(pp. 13-14)

“… humans need narrative to make sense of a whole range of possible outcomes that can never be predicted with any degree of certainty”; here, Dobraszczyk is advocating a “story-based approach to imagining the future [which] encompasses the metaphorical, the ethical, the aesthetic and the speculative.”

(p. 14)

Linking out to Latour, A-NT and flat-ontology positions more broadly, in the context of ecological crisis: “In thinking of buildings and cities as primarily about connections, we can open our minds to an almost infinite array of possibile futures for them – futures that will be defined by how we connect up all manner of things […] such futures can never be predictive, but they can empower us because they will release us out into worlds beyond ourselves.” (p. 15) That last phrase being perhaps the most concisely poetic argument in favour of object-oriented thinking I’ve encountered in quite some time.

Finally, an argument for the imagination amid the shared contexts of fictions and imaginaries as capable of fostering a radical resilience beyond the banal socioeconomic and/or post-disaster “bounce-backability” that the term tends to devolve to in planning discourses: a shared narrative of futurity, even when contested, “forges a link between how we imagine the future city and how we relate to it as a real place”; promoting and defending an “ecology of the human mind”, which is “vital in resisting the tendency of contemporary capitalism – or any dominating worldview – to constrain the human imagination […] imagination is already politicised because, as a faculty that only flourishes when set free, it inherently resists such subjugation”; the result is a radical conception of urban resilience that extends to a sort of plural political collectivity, akin to an ideological immunisation against totalitarian/authoritarian visions. The shared notion of the very possibility of possibility acts against its pre-emptive foreclosure by fascism, sort of thing… though I should probably note that Dobraszczyk doesn’t actually drop the f-bomb himself, here.