Tag Archives: interview

all that mattered was sensation

Much delayed by pandemic disruptions of international mail, here’s a transcript of a heretofore unpublished J G Ballard interview, originally done for an Italian VHS video zine (!) in the Nineties. Comes in both Italian and English, with an accompanying essay by yer man Simon Reynolds… which is presumably where I heard about it, shortly after (or was it before?) relocating. Copies still available, it seems.

go beyond the injunction of innovation

An interview with the principals of the Design Friction atelier:

When we teach Design Fiction or Speculative Design in schools, as many design educators have certainly heard it before us, there is a common misconception among students about these types of design postures. Since Speculative Design productions aren’t for sale, it would mean there is no practical nor professional application. We disagree.

In fact, without epiloging on the difference between problem-solving – the current dogma in design education and training – and problem-framing, we believe the latter is crucial regarding current emergencies and crises, climate breakdown being the first one of them.

In this sense, we think an applied Speculative Design (or Design Fiction) – with all our sincere apologies to the ones who will faint after reading this oxymoron – is especially well suited for public organisations. This approach might help NGOs and civic movements in their advocacy actions to help in highlighting preferable perspectives or revealing the consequences of the status quo […]

Speculative Design or Design Fiction also might support local or national governments, as well as state departments, to build future-proofed and more-than-human-centred policies. Speculative Design and Design Fiction go beyond the injunction of innovation, as creating and maintaining the public goods and the commons requires long-term thinking and radical alternatives. These forms of design are both a complement to Service Design, growing in public innovation programs, and a counterpoint to the limited and limiting perspective of “user-centric” design, that is inflating in the public realm.

Pulling this out as a quotable riposte to the inevitable “well, it’s just critique masquerading as design, isn’t it?” complaints… SD/DF approaches are going to form an important part of my work in the years ahead, and thus I assume I’ll find myself making that argument about social goods many times over.

An audience with Saint Donna

At Logic Magazine, an interview (by, I think, Moira Weigel?) with none other than Donna Haraway. It’s a good long read, so you should go tuck in to the full thing, but I’mma pull some excerpts here for my own purposes.

On being accused of encouraging “relativism”, and thereby birthing “post-truth”:

Our view was never that truth is just a question of which perspective you see it from. “Truth is perspectival” was never our position. We were against that. Feminist standpoint theory was always anti-perspectival. So was the Cyborg Manifesto, situated knowledges, [the philosopher] Bruno Latour’s notions of actor-network theory, and so on.

“Post-truth” gives up on materialism. It gives up on what I’ve called semiotic materialism: the idea that materialism is always situated meaning-making and never simply representation. These are not questions of perspective. They are questions of worlding and all of the thickness of that. Discourse is not just ideas and language. Discourse is bodily. It’s not embodied, as if it were stuck in a body. It’s bodily and it’s bodying, it’s worlding. This is the opposite of post-truth. This is about getting a grip on how strong knowledge claims are not just possible but necessary — worth living and dying for.

[…]

We were at this conference in Brazil. It was a bunch of primate field biologists, plus me and Bruno [Latour]. And Stephen Glickman, a really cool biologist, a man we both love, who taught at UC Berkeley for years and studied hyenas, took us aside privately. He said, “Now, I don’t want to embarrass you. But do you believe in reality?” 

We were both kind of shocked by the question. First, we were shocked that it was a question of belief, which is a Protestant question. A confessional question. The idea that reality is a question of belief is a barely secularized legacy of the religious wars. In fact, reality is a matter of worlding and inhabiting. It is a matter of testing the holding-ness of things. Do things hold or not? 

Take evolution. The notion that you would or would not “believe” in evolution already gives away the game. If you say, “Of course I believe in evolution,” you have lost, because you have entered the semiotics of representationalism — and post-truth, frankly. You have entered an arena where these are all just matters of internal conviction and have nothing to do with the world. You have left the domain of worlding. 

On socialist solutionisms, and/or Fully Automated Luxury Asteroid-Mining:

I’m very pro-technology, but I belong to a crowd that is quite skeptical of the projects of what we might call the “techno-fix,” in part because of their profound immersion in technocapitalism and their disengagement from communities of practice.

Those communities may need other kinds of technologies than those promised by the techno-fix: different kinds of mortgage instruments, say, or re-engineered water systems. I’m against the kind of techno-fixes that are abstracted from place and tied up with huge amounts of technocapital. This seems to include most geoengineering projects and imaginations.

So when I see massive solar fields and wind farms I feel conflicted, because on the one hand they may be better than fracking in Monterey County — but only maybe. Because I also know where the rare earth minerals required for renewable energy technologies come from and under what conditions. We still aren’t doing the whole supply-chain analysis of our technologies. So I think we have a long way to go in socialist understanding of these matters.

On the Stewart-Brandean techno-utopians:

They remain remarkably humanist in their orientation, in their cognitive apparatus, and in their vision of the world. They also have an almost Peter Pan quality. They never quite grew up. They say, “If it’s broken, fix it.” 

This comes from an incapacity to mourn and an incapacity to be finite. I mean that psychoanalytically: an incapacity to understand that there is no status quo ante, to understand that death and loss are real. Only within that understanding is it possible to open up to a kind of vitality that isn’t double death, that isn’t extermination, and which doesn’t yearn for transcendence, yearn for the fix.

There’s not much mourning with the Stewart Brand types. There’s not much felt loss of the already disappeared, the already dead — the disappeared of Argentina, the disappeared of the caravans, the disappeared of the species that will not come back. You can try to do as much resurrection biology as you want to. But any of the biologists who are actually involved in the work are very clear that there is no resurrection

So much to chew over. I now want to go back and re-read everything of hers I’ve ever read, and all the stuff I’ve yet to get round to… though I think I might start by watching Fabrizio Terranova’s recent documentary, of which I was heretofore not aware.

Talking up a storm

Thanks to the Opus Independents / NowThen Magazine crew for giving me the opportunity to pose some questions the incredible, the humble, the forthright Kate Tempest. Online version’s here if you want it.

I spotted NowThen during my first week in Sheffield, and decided immediately that if I was going to write reviews and similar for a free local rag, then it was this one, or none of them.

Right choice, Paul. Right choice.

PGR vs JCC

The feature interview in this month’s issue of Now Then Magazine is the result of yours truly having a chat with the bard of Salford himself, Dr John Cooper Clarke.

Residents of Rust City can pick up a pulped-wood copy from all the usual places, while those elsewhere can peruse it in electronic form via the website. Many thanks to Dr Clarke and his publicity people for setting up the interview, and for the two Sams at Now Then for letting me talk to a legend.