Thanks to the Opus Independents / NowThen Magazine crew for giving me the opportunity to pose some questions the incredible, the humble, the forthright Kate Tempest. Online version’s here if you want it.
I spotted NowThen during my first week in Sheffield, and decided immediately that if I was going to write reviews and similar for a free local rag, then it was this one, or none of them.
Spent Sunday afternoon walking around Persistence Works on their annual open-studio day; lots of sculptors and silversmiths, some furniture-makers, painters, print-makers, mosaicists. Super building, too; gorgeous raw concrete, great views.
Not sure what this thing was all about, if I’m honest (it’s a David Allsopp), but the resemblance was much remarked upon.
Surfacing briefly to note with pride that Now Then is celebrating its tenth anniversary this year.
I stumbled across Now Then during my first weeks in Sheffield, way back in the autumn of 2012, when I was desperate to make some connections to the local cultural scene, and to find a new venue to write music reviews for. Now Then is basically an ad-funded arts-scene free-sheet, and generally I don’t write for such publications on principle; as a rule they’re awful, full of shamelessly fawning promo passing itself off as commentary, with tawdry production values and even lower editorial standards. Now Then stood out immediately: its print edition (which doesn’t run during the summer, so as to save money) is always a gorgeous piece of printed product, fronted with original art commissioned to purpose; its reviews are written with genuine passion, and are permitted to be critical; it carries poetry, short fiction and humour, and it carries editorial and local-political content that puts both of the local “newspapers” to shame by comparison.
My PhD and other work has meant I’ve not been a very regular contributor to Now Then, but of all the free-to-air venues I’ve ever reviewed music for, it’s the one I’m proudest not only to tell people about, but to show them a physical copy. Perhaps the most solid endorsement I can offer is that I pick up a copy every month, whether my words are in there or not.
Sheffield’s a city with a fair few problems and difficulties, most of which are political in origin. But it teems with people working hard to make a difference, not just for themselves, but for everyone else. Sam and the gang at Opus are solidly in the latter category, and Now Then is product and platform all at once. I’m reyt proud to have contributed to it, in however minor a manner.
I was surprised by how quiet the engine itself was, though I imagine that’s partly down to it now being powered by a gas-fueled boiler in another part of the complex, rather than a big ol’ firebox like it had back in the days when it was used for rolling steel plate as thick as your hand is wide for battleship armour, reactor shielding etc etc. The audience of kids are pretty loud, though.
A few stills included below, for those who I’m sure would have rather seen the crankshaft moving… but that would’ve meant getting in the way of the school-trip audience, and I’m not quite that much of a dick.
Posting this well-tuned engine largely because a well-tuned engine is the exact opposite of what today is turning out to be. Sympathetic industrial magic, innit.
Science fiction, science fact, and all that's in between …