It’s not that democracy will end, but that it will be reduced to a set of spectacles that the government is ultimately in command of, which everyone realises are “fake” but that are sufficiently funny or soothing as to be tolerated.
This being, of course, a favourite motif of science fiction from the late 20th century: capitalist democracy as gameshow, Debord meets Dick. Or maybe those brief scenes of escape-into-media from Noon’s Vurt… which is, I suppose, just another way of saying Debord meets Dick.
Nonetheless, The People™ must get what they have asked for. I just hope for their sake that the box contains what they think it does.
What the phone promises you psychologically is not content as such, but a space on the screen that is totally obedient to you. This translates into the illusion that the world, seen through the screen, will be equally obedient. I think any effort to try to understand smartphone addiction needs to grapple with the fact that it is much closer to a control technology than an information technology. Of course, it tells you useful things but what it offers you is navigation and control, the ability to make a fast-moving and confusing world obey you. One of the main contrasts in the book is between a view of the world that tries to represent it—the classically modern one of the seventeenth century for which the map would be a classic example—and a view of the world which brings it under control, which is a military ideal. Today, we often have no idea where we are going until we put a destination into our phone and follow the instructions. This navigation-based approach to the world originates from military technology and the need to bring the world under control.
Etymology is important, kids! “Cyber”: a contraction of “cybernetics”, derived from from the Greek kubernētēs (pilot, steersman) and/or kubernēsis (governance, leadership).
science fiction / social theory / infrastructural change / utopian narratology