Velcro City Tourist Board

Category: Criticism

  • not oppositional, but negatory

    An interview with M John Harrison by Jonathan Lethem, done earlier this year at Festival Internacional de Literatura de Buenos Aires; scroll down for the (original) version in English. (Hat-tip to the man himself for linking to it.) I recall joking to a colleague a few years back that part of me wished Harrison wrote…

  • Beyond the Narrative Arc

    Patterns other than the wave, though, are everywhere. Here are the ones Stevens calls “nature’s darlings.” Spiral: think of a fiddlehead fern, whirlpool, hurricane, horns twisting from a ram’s head, or a chambered nautilus. Meander: picture a river curving and kinking, a snake in motion, a snail’s silver trail, or the path left by a…

  • Represent the world without reproducing it

    … science fiction is fundamentally a metaphorical literature, because it seeks to represent the world without reproducing it. Now the structure of metaphor as such is the knight’s move, my favourite manoeuvre in chess: leading you in a certain metonymic direction, the logically correct A to B to C, and indeed sometimes it leads you…

  • Surrealism comes for us all: Miéville’s Last Days of New Paris

    The Rex’s guards search them and incompetently question them and let them in to noise and warmth and the smell of drink, dirt, and sweat. Rows of seat-stubs slope down the tumbling hall. people are dancing. Women and men watch the huge screen from a raised half-floor above. What is showing is snips of images,…

  • The present tense and the present tension

    Present-tense narration is now taken for granted by many fiction readers because everything they read, from internet news to texting, is in the present tense […]. Past-tense narration easily implies previous times and extends into the vast misty reaches of the subjunctive, the conditional, the future; but the pretense of a continuous eyewitness account admits little…