McKenzie Wark interviewed at Bomb Magazine:
I’m interested in writing that engages with the way people read now. If you are a literary person, perhaps you and your friends are on Twitter or Instagram and share photos of favorite passages from the books you happen to be reading. I certainly do. So, I wanted the text to read like a feed. I think we read texts in juxtaposition now. I make those juxtapositions intentional. I interrupt my text with my favorite writers who sometimes seem to comment or provide a contrast or who describe what I am failing to describe and do it better.
Interesting observation from a writer whose work I’ve long been inspired by. That said, I think this nascent tradition had its foundations laid in the golden age of blogging, which was often heavy on the blockquotes as well as the hyperlinks… and that was in turn surely influenced by the telos of academic texts, if not necessarily their style. A dialectics of style, perhaps?
Also wonder if this isn’t perhaps a way of short-circuiting the notorious “agony of influence”… instead of flinching from the inescapability of the megatext, make your way through it like a forest, hacking through undergrowth or racing through clearings as necessary, dodging wolves and befriending other adventurers along the way.
(The emerging genre of “theory fiction” appears to be one expression of this instinct… I’m thinking particularly of Sellars’s Applied Ballardianism, here, but mostly because that’s the only example of the genre I can confidently claim to have encountered on the genre’s own terms. Though one might counterclaim that theory fiction is just autofiction for the overeducated, I suppose… but what else are we meant to do with the multiple self-subjectivities that our scholarship has cursed us with, eh?)
In the hermetic world of AI ethics, it’s a given that self-driven cars will kill fewer people than we humans do. Why believe that? There’s no evidence for it. It’s merely a cranky aspiration. Life is cheap on traffic-choked American roads — that social bargain is already a hundred years old. If self-driven vehicles doubled the road-fatality rate, and yet cut shipping costs by 90 percent, of course those cars would be deployed.
A long ol’ piece on Walter Benjamin’s magnum opus by Apoorva Tadepalli at Real Life. It’s the sort of epic longread that merits at least a second thorough go-thru (and has as such been stashed away to that end), but this bit leapt out as being Relevant To My Interests, as the old meme used to go:
Benjamin was fundamentally opposed to anything nearing history as a linear presentation, as development or progress: “There is no document of civilization which is not at the same time a document of barbarism,” he famously wrote in his “Theses on the Concept of History.” That the Paris arcades were long past their heyday when he began writing was no obstacle; perhaps it was even the point. The assembled fragments give us a way of reading history by collapsing time; they create the “dialectical image,” or the meaning that is generated in the sudden moment of insight that makes history recognizable in the present. Fashion, for instance, is one of the central ways Benjamin explores this dialectical image of collapsed time: style, the most transient of all markers, is forced by mass production and exploited labor into an “eternal return,” forever offering modernity.
This immersion in the ruins of history as a way of “telescoping the past through the present,” as Benjamin wrote, has political importance: It is a way of situating oneself under the spell of the enchanting material, and experiencing history in all its contradictions, rather than trying to deny it through the theoretical approach to historicism that Benjamin’s colleagues advocated. Benjamin writes of the need to “rescue” history with a “firm, seemingly brutal grasp,” to physically wrench it through time in order to clearly see the present; readers of his work today would have to do the same.
I was reading Stuart Jeffries’ Grand Hotel Abyss back in the autumn (and somehow never quite got round to finishing it, for an assortment of reasons, not all of which were time-related); even therein it’s pretty clear that, for all the intellectual originality of the Frankfurt School crew who survived the war, the loss of Benjamin was a great tragedy. He was something quite singular, even among that gang of highly singular minds.
I’ve had a hardcopy of the Project since buying it for my Masters back in 2011/12, and then being scared off by its bulk; maybe it’s time to make a project of actually reading the thing? After all, it’s no larger than the Fisher collection from Repeater, and probably more amenable to a daily randomised-and-rationed reading approach…
Very interesting long paper by Matteo Pasquinelli; going back through Marx’s notion of the general intellect, he shows that none other than yer man Babbage theorised computing systems not only as a concretisation of labour but a crystallisation of preexisting biases in the workforce. Everything old becomes new again.
… the distinction between manual and mental labour disappears in Marxism because, from the abstract point of view of capital, all waged labour, without distinction, produces surplus value; all labour is abstract labour. However, the abstract eye of capital that regulates the labour theory of value employs a specific instrument to measure labour: the clock. In this way, what looks like a universal law has to deal with the metrics of a very mundane technology: clocks are not universal. Machines can impose a metrics of labour other than time, as has recently happened with social data analytics. As much as new instruments define new domains of science, likewise they define new domains of labour after being invented by labour itself. Any new machine is a new configuration of space, time and social relations, and it projects new metrics of such diagrams. In the Victorian age, a metrology of mental labour existed only in an embryonic state. A rudimentary econometrics of knowledge begins to emerge only in the twentieth century with the first theory of information. The thesis of this text is that Marx’s labour theory of value did not resolve the metrics for the domains of knowledge and intelligence, which had to be explored in the articulation of the machine design and in the Babbage principle.
Following Braverman and Schaffer, one could add that Babbage provided not just a labour theory of the machine but a labour theory of machine intelligence. Babbage’s calculating engines (‘intelligent machines’ of the age) were an implementation of the analytical eye of the factory’s master. Cousins of Bentham’s panopticon, they were instruments, simultaneously, of surveillance and measurement of labour. It is this idea that we should consider and apply to the age of artificial intelligence and its political critique, although reversing its polarisation, in order to declare computing infrastructures a concretion of labour in common.