Category: Philosophy

  • [a] question of how forgetting is avoided

    Interesting aside here from Mark Carrigan, responding to (as he puts it) an “innocuous but in practice […] unsettling” observation in Nicholas Christakis’s Apollo’s Arrow, which is a (surely rather premature?) analysis of the impact of coronavirus(es) on the way we live. Christakis observes that Covid-19 has sparked an awareness of public health challenges in…

  • stop press: technologist spontaneously (re)invents postmodernism

    Matt Webb thinks through the map’s mediation of the territory. I don’t mean to whale on Webb here, to be clear, as he’s by far one of the more enlightened and well-intentioned thinkers in that space. But nonetheless this is a salutory reminder that, sociologically and philosophically speaking, the tech world is lagging the leading…

  • duckrabbit, figureground, mirrorscreen

    In this episode of Excerpts Of Other People’s Output Used For The Aggrandization Of Personal Theories Which Remain Stubbornly Underwritten, I will be quoting a newsletter from Drew Austin, riffing on Kyle Chayka’s “ambient TV” essay; the bolding is my own. Describing other ambient shows like Netflix’s “Chef’s Table,” which combines pleasant food imagery with…

  • “A part of the world’s worlding”: Sofia (2000), Container Technologies

    Sofia, Z. (2000). Container technologies. Hypatia, 15(2), 181-201. I first read this back in the heady days of 2016 or so, on the direct recommendation of its author; I don’t get to name-drop very often, but Zoe Sofoulis (writing here as Zo Sofia, as she sometimes does) is a good friend, and served as a…

  • all these words have been poisoned, right?

    McKenzie Wark, interviewed at Believer: … in Capital is Dead I wanted to ask the question of how have we innovated language—god, I hate that word, innovate. All these words have been poisoned, right? What’s the art, if I can say that, what’s the literary dimension of writing theory? It’s a genre of literature, Marx…