Category: Writing

  • a world where flesh and machine are in tension: re-reconsidering cyberpunk

    Found myself nodding appreciatively at this re-reassessment of cyberpunk by Lincoln Michel: Everyone has their own definitions of genres, but to me the essence of cyberpunk is not tied to the 1980s visual trappings that have defined it in video games and film. Cyberpunk isn’t merely neon signs or street toughs with high-tech leather jackets…

  • Smart cities: Policy without polity

    Another publication is getting close to popping out of the pipeline! 23rd November 2021 sees the formal release of the Routledge Handbook of Social Futures, in which yours truly has a chapter entitled “Smart cities: Policy without polity”. Regular readers here will likely be able to guess—and guess correctly!—that this piece does not at all…

  • het från pressen

    Taking what feels like a well-earned and much-needed day off today, after yesterday’s launch of the above narrative prototype / experimental futures vehicle (via the second medium of a slightly kludgy pseudo-Brechtean performance of an online talk-show from 2041). If anyone had been wondering why things have been quiet here lately, getting this thing finished…

  • the most animal of all human abilities

    It is perfectly possible, then, that far from being an exclusively human attribute, the narrative faculty is the most animal of human abilities, a product of one of the traits that humans indisputably share with animals and many other beings—attachments to place. Perhaps, then, storytelling, far from setting humans apart from animals, is actually the most important…

  • the reader can always handle the full complexity of the idea

    Sara Hendren, ladies and gentlemen: The opposite of jargon is not “plain language.” It is sparkling lucidity. Too many academics translate from theory to the everyday by employing a kind of verbal shrug — they say, Don’t be afraid of this fancy term here. It just means… [insert mealy-mouthed generalities]. The shrug is an attempt…