It mat not have been appreciated as such by the readership, but one of the great personal coups of my editorship of Futurismic was persuading the redoubtable Adam Roberts to provide a series of his reviews of imaginary books* for the site (which is, a little surprisingly, still online, despite its original founder reclaiming the domain name from me a little while ago.). The review-of-an-imagined-text is a genre of writing that lets Roberts do Roberts in a very concise format, and one is never quite sure whether he’s simply burning off fiction ideas that weren’t worthy of being developed at greater length, cocking a snook at the conventions and peccadilloes of genre fiction in general, or lampooning reviewing as both a genre of writing and a literary enterprise; it may well be all three at once, or perhaps none of them. You can decide for yourself, as today’s installment of the protracted Pornokitsch swansong** is a batch of said reviews, which I commend unto you.
(They’ve billed them as “imaginary reviews”, which slightly irks my taxonomic instincts: the reviews are not imaginary at all because, well, there they are; it’s the books they describe which are imagined! But that’s the sort of dancing-angel-counting that makes me an instinctive fan of Roberts’ writing, I suppose… and why I ended up writing an essay — for this book — that took the form of a review of an imaginary remix of one of Adam’s books, which ended up being nominated for an award for non-fiction writing, despite being on at least one level, if not more than one, completely fictional. Which is itself a rather Robertsean sort of irony.)
* – Not always books, actually; the final installment of The Adam Roberts Project was a rather excoriating review of an actually-existing album, namely Tarkus by Emerson, Lake & Palmer. It was one of the most-commented-upon pieces the site ever ran, due to its being discovered by a succession of ageing prog-rock fans whose humourlessness and petulance served only to validate every cliche about humourless and petulant prog rock fans.
** – I’m not entirely sure why the Pornokitsch crew have decided to wind their site down, beyond the post that explains they’d always stop when it stopped being fun, and that it had stopped being sufficiently fun. I suspect that things would be clearer were I still on social media, but I further suspect that their reasons for winding down are in some part similar to my reasons for quitting social media, and that Pornokitsch is yet another redoubt surrendered to the seemingly interminable genre fiction blog-wars. Sad to see them go, but I can’t say I blame them; as the old aphorism goes, there’s little point in wrestling with a pig, because you end up covered in filth and the pig enjoys it. Re-reading the comment thread beneath Adam’s review of Tarkus (linked above), I realise that I took a while to realise that myself.