Lovable Marxist granddad David Harvey, getting in there early on neoliberalism’s final Wile E Coyote moment:
… contemporary capitalist economies are 70 or even 80 percent driven by consumerism. Consumer confidence and sentiment has over the past forty years become the key to the mobilization of effective demand and capital has become increasingly demand- and needs-driven. This source of economic energy has not been subject to wild fluctuations (with a few exceptions such as the Icelandic volcanic eruption that blocked trans-Atlantic flights for a couple of weeks). But COVID-19 is underpinning not a wild fluctuation but an almighty crash in the heart of the form of consumerism that dominates in the most affluent countries. The spiral form of endless capital accumulation is collapsing inward from one part of the world to every other. The only thing that can save it is a government funded and inspired mass consumerism conjured out of nothing. This will require socializing the whole of the economy in the United States, for example, without calling it socialism.
When I’ve mentioned this to other people over the last week or so they’ve pointed out—quite rightly—that “there are still other choices They could make”. Of course there are! But few of them, if any, are unlikely to end in anything short of mass deaths and some sort of violent insurrection. As such, the race is likely already on to find a way to rebadge in an acceptable manner the socialization that Harvey predicts, while building in assorted sunset clauses and escape hatches for capital and its minions.
Which means that, for those of us on the other side of the fence, the race is on to block those bolt-holes. This is the Last International, comrades—because there won’t be another chance like this, if indeed there’s any more chances at all.
Interesting squib here from Matt “Xenogothic” Colquhoun, highlighting a section of a Reddit of a discussion on accelerationism, and his description of the absurdity of identifying as an accelerationist:
As far as I see it, there’s no such thing as “being an accelerationist” because there’s nothing I can do to impact the process of acceleration. It is something that is happening to us already (and has been for centuries) rather than something I can do. It’s naive to think any of us have our foot on the throttle of global capitalism. In that sense, “accelerationism” is a bad name. “Hauntology” is a better term for the political impact of the process but it’s also just as misunderstood.
This reminds me strongly of arguments I’ve had over the past decade with Old Futures Men who would huff and puff about the damage wrought on the culture (or the academy, or whatever else it was that was annoying them that day) by “postmodernists” (which is the slightly more self-aware and/or intellectual conservative’s synonym for “Cultural Marxists”), which seemed to indicate little other than a complete unfamiliarity with any postmodern theory whatsoever, save its caricatured form (“Moral relativism! They’d have you believe that nothing is true, and that there’s no grounds for comparison between any set of beliefs or actions!”) as encountered in media outlets catering to a demographic unsettled by the increasingly obvious obsolescence of the certainties with which they were raised. (Which was always a pretty piquant irony when dealing with people who defined themselves as futurists.)
The point being: for the most part, though with some notable exceptions, postmodernist thinkers were not advocating for a doctrine of postmodernity so much as they were attempting to describe the contours of a new cultural condition that had been assigned that (unfortunate and contentious) moniker. As such, I’m tempted to see accelerationism as Colquhoun sees it — which, I concede, may not be a universal conception of that term — as being a condition rather than a creed, in the same sense that postmodernity was a condition rather than a creed; in both cases, the conditionality may suggest certain stances in response, but that’s a very different thing to waving a flag that says “postmodernity, yay!”
(I wonder, then, if accelerationism might be the term to replace the awkward placeholder terms of “post-postmodernity”, “altermodernity” etc. Given Colquhoun’s closeness to the thought of Mark Fisher, it might also be seen as the dialectical successor to capitalist realism… which, one might argue, is what the coronavirus pandemic is currently killing off.)
An interview with the principals of the Design Friction atelier:
When we teach Design Fiction or Speculative Design in schools, as many design educators have certainly heard it before us, there is a common misconception among students about these types of design postures. Since Speculative Design productions aren’t for sale, it would mean there is no practical nor professional application. We disagree.
In fact, without epiloging on the difference between problem-solving – the current dogma in design education and training – and problem-framing, we believe the latter is crucial regarding current emergencies and crises, climate breakdown being the first one of them.
In this sense, we think an applied Speculative Design (or Design Fiction) – with all our sincere apologies to the ones who will faint after reading this oxymoron – is especially well suited for public organisations. This approach might help NGOs and civic movements in their advocacy actions to help in highlighting preferable perspectives or revealing the consequences of the status quo […]
Speculative Design or Design Fiction also might support local or national governments, as well as state departments, to build future-proofed and more-than-human-centred policies. Speculative Design and Design Fiction go beyond the injunction of innovation, as creating and maintaining the public goods and the commons requires long-term thinking and radical alternatives. These forms of design are both a complement to Service Design, growing in public innovation programs, and a counterpoint to the limited and limiting perspective of “user-centric” design, that is inflating in the public realm.
Pulling this out as a quotable riposte to the inevitable “well, it’s just critique masquerading as design, isn’t it?” complaints… SD/DF approaches are going to form an important part of my work in the years ahead, and thus I assume I’ll find myself making that argument about social goods many times over.
McKenzie Wark interviewed at Bomb Magazine:
I’m interested in writing that engages with the way people read now. If you are a literary person, perhaps you and your friends are on Twitter or Instagram and share photos of favorite passages from the books you happen to be reading. I certainly do. So, I wanted the text to read like a feed. I think we read texts in juxtaposition now. I make those juxtapositions intentional. I interrupt my text with my favorite writers who sometimes seem to comment or provide a contrast or who describe what I am failing to describe and do it better.
Interesting observation from a writer whose work I’ve long been inspired by. That said, I think this nascent tradition had its foundations laid in the golden age of blogging, which was often heavy on the blockquotes as well as the hyperlinks… and that was in turn surely influenced by the telos of academic texts, if not necessarily their style. A dialectics of style, perhaps?
Also wonder if this isn’t perhaps a way of short-circuiting the notorious “agony of influence”… instead of flinching from the inescapability of the megatext, make your way through it like a forest, hacking through undergrowth or racing through clearings as necessary, dodging wolves and befriending other adventurers along the way.
(The emerging genre of “theory fiction” appears to be one expression of this instinct… I’m thinking particularly of Sellars’s Applied Ballardianism, here, but mostly because that’s the only example of the genre I can confidently claim to have encountered on the genre’s own terms. Though one might counterclaim that theory fiction is just autofiction for the overeducated, I suppose… but what else are we meant to do with the multiple self-subjectivities that our scholarship has cursed us with, eh?)
Sean Guynes on Le Guin’s The Dispossessed:
… whereas most utopian novels before Le Guin sent an outsider into the utopian society, tracing their voyage through the social, economic, and political structures of the “better” worlds offered by Gilman’s Herland or Bellamy’s United States, Le Guin cut the narrative in half, shuffled the deck, and used Shevek’s awkward social positioning on Anarres and Urras alike to explore the meanings of her version of utopia from the inside out.
Cf. Moylan’s canonical paper on the critical utopia, of course.
This was a timely thing to read on my train-travels yesterday, however, coming as it did fairly close upon the heels of a paper discussing (among other things) the specific urban-planning conceptualisation of utopia, which is predominantly a question of the deployment of urban form as a metaphor for a hierarchised systems understanding of the city as body/machine/computer… and hence a top-down perspective by necessity.
As Guynes points out, Le Guin’s intervention into the utopian mode was to totally invert the usual top-down approach, not just at the level of form, but also at the level of narratology… and I retain a belief that this radical breach of Le Guin’s is far from exhausted, whether by fictions qua fictions or any other off-label uses of the same toolkit.