” …the visual remnants of vaporwave have long outlasted its radical ideological underpinnings. Almost immediately, its pastel, geometric, softcore aesthetics were gobbled up by media platforms, in particular the image-driven platforms Tumblr and Instagram. The pastiche compositions of Arizona Iced Tea cans and old Windows desktops were very quickly made available on all these commercial interfaces, which were not only feeding on a countercultural art movement—they were likewise consuming the ghosts of an internet they had long since murdered. The critique offered by vaporwave—its defiant sense of utopia—was immediately and effectively erased, leaving only a commodified, nostalgic aesthetic. And this aesthetic detritus, its millennial pink, Memphis-esque shapes and squiggles made entirely for Instagram, became cold, devoid of joy and playfulness, something the Consumer Aesthetic Research Institute, an ad hoc, Discord-based volunteer group which runs a popular series of blogs and Facebook pages cataloging various aesthetic tendencies across the 1990s, 2000s, and 2010s, simply calls the “bougie design aesthetic.”
Jameson, as I’ve mentioned, saw this coming, and he teaches us a fairly succinct lesson about the demise of vaporwave:
This omnipresence of pastiche is not incompatible with a certain humor, however, nor is it innocent of all passion: it is at the least compatible with addiction—with a whole historically original consumers’ appetite for a world transformed into sheer images of itself. . . . It is for such objects that we may reserve Plato’s conception of the “simulacrum”. . . Appropriately enough, the culture of the simulacrum comes to life in a society where exchange value has been generalized to the point at which the very memory of use value is effaced, a society of which Guy Debord has observed, in an extraordinary phrase, that in it “the image has become the final form of commodity reification.”
If Guy Debord, in other words, had lived to see Instagram, he would have absolutely lost his gourd. I barely need to mention the dark side of the platform, the side that leaves people lining up for hours just to get a selfie, that has changed how we design products, furniture, even buildings and neighborhoods—all of this is well-documented. What is not so obvious is the way Instagram recycles the original aesthetics, indeed the political ethos, that arose from vaporwave and even the early internet itself, into a decontextualized set of images: the internet has become nostalgia in search of a platform.”Kate “McMansionHell” Wagner at The Baffler.
“For Singularity to have a positive outcome requires a belief that, given enough power, the system will somehow figure out how to regulate itself. The final outcome would be so complex that while we humans couldn’t understand it now, “it” would understand and “solve” itself. Some believe in something that looks a bit like the former Soviet Union’s master planning but with full information and unlimited power. Others have a more sophisticated view of a distributed system, but at some level, all Singularitarians believe that with enough power and control, the world is “tamable.” Not all who believe in Singularity worship it as a positive transcendence bringing immortality and abundance, but they do believe that a judgment day is coming when all curves go vertical.
Whether you are on an S-curve or a bell curve, the beginning of the slope looks a lot like an exponential curve. An exponential curve to systems dynamics people shows self-reinforcement, i.e., a positive feedback curve without limits. Maybe this is what excites Singularitarians and scares systems people. Most people outside the Singularity bubble believe in S-curves: nature adapts and self-regulates, and, for example, when a pandemic has run its course, growth slows and things adapt. They may not be in the same state, and a phase change could occur, but the notion of Singularity—especially as some sort of savior or judgment day that will allow us to transcend the messy, mortal suffering of our human existence—is fundamentally a flawed one.“
A strident argument for critical utopian discourse (and against technotopian solutionism) from David F Ruccio at Real-World Economics Review [via SyntheticZero]:
[This] doesn’t mean utopia is irrelevant to the problem of climate change. On the contrary. The dystopian consequences of current trends clearly invite a utopian response. But it needs to be of a different nature from the various forms of technological utopianism that are currently circulating.
It starts with a critique of the discourses, activities, and institutions that together, within the Capitalocene, have led to concentrations of carbon dioxide in the atmosphere that have reached (and, by some accounts, will soon surpass) the ceiling with regards to acceptable climate risk. What I’m referring to are theories that have normalized and naturalized the current set of economic and social structures based on private property, individual decision-making in markets, and class appropriation and distribution of the surplus; activities that have accelerated changes in the Earth system, such as greenhouse gas levels, ocean acidification, deforestation, and biodiversity deterioration; and institutions, such as private corporations and commercial control over land and water sources, that have had the effect of increasing surface ocean acidity, expanding fertilizer production and application, and converted forests, wetlands, and other vegetation types into agricultural land.
Such a ruthless criticism brings together ideas and activists focused on the consequences of a specific way of organizing economic and social life with respect to the global climate as well as the situations of the vast majority of people who are forced to have the freedom to try to eke out a living and maintain themselves and their communities under present circumstances.
Broadening participation in that critique, instead of directing hope toward a technological miracle, serves to create both a shared understanding of the problem and the political basis for real solution: a radically transformed economic and social landscape.
And that is why, after five years of feeling like I was beating my head against a brick wall, I’m nonetheless bandaging my metaphorical head and carrying on. For the most part, infrastructural research in the UK academy has been thoroughly colonised by solutionist paradigms, to the extent that it feels like being caught in an warped loop of the Marge vs. the Monorail! episode of The Simpsons that never reaches the denouement. It’s frustrating — and has frequently felt futile — to do battle with the unholy alliance of perverse economic incentives and semantically ambiguous suitcase words… but as the old cliche goes: to try is to invite failure, but to give up is to ensure it.
Despite the cacophony of political conjecture, the story of blockchain so far is a tale of financial speculation, in which the cash rewards reaped by bankers and venture capitalists are largely a result of the techno-utopian hype. Plus ça change, plus c’est la même chose. The prospect of decentralizing control does not absolve us of the hard work of politics, and blockchain has so far failed to transfer power to ‘We, the people’, whatever the white papers might suggest. Political economy cannot be replaced by technology alone. Today, technological wealth produced by and for society largely oils the machinery of capitalist accumulation. While we have yet to witness the decentralization of control, the collective wealth produced by of the decentralization of production — that is, the ‘sharing economy’, the big data industry, and other platforms that monetize our daily social interactions — remains firmly in the service of exploitative (centralized) corporations. Whether in logistics or social media, it is not so difficult — nor even particularly radical — to imagine decentralized, peer-to-peer services which produce value by and for the commonwealth. Nonetheless, it would require governance, by nationalization or other means: the network is not identical to the commons, and nor should we hope for it to be.
A super-chewy long-read [via Jay Springett]: “Systems Seduction: The Aesthetics of Decentralisation” by Gary Zhexi Zhang, one of ten winners in the Journal of Design & Science “Resisting Reduction” essay competition.
Over the weekend John Naughton at Teh Graun provided some much-needed deflation regarding the religion of machine learning and “AI”. I am in full agreement with much of what he says — indeed, I have been singing from that songsheet for quite a few years now, as have a number of other Jonahs and Cassandras.
However, I feel the need to take polite objection to Naughton’s misrepresentation of Clarke’s Third Law. (You know the one: “any sufficiently advanced technology is indistinguishable from magic”.) While it’s quite correct to say that the thought-lords of Silicon Valley (and their PR people) have peddled Clarke’s Third as justification for and endorsement of whatever it is they’ve decided they’re trying to do this week, to assume that’s how Clarke meant it to be used is to do the man a disservice, and indeed to misparse the aphorism in exactly the same way that the techies have. (This seems to happen surprisingly often.)
The thing is, no one believed less in magic than did Clarke; those of a similar age to myself may recall him as a dogged debunker of woo and myth, both in books and on television. Firstly, Clarke’s Third does not conflate magic and technology; on the contrary, it merely points out that to anyone not initiated into either mystery-system, both mystery-systems are equally opaque with regard to cause and effect. Or, in other words, both magic and technology seem miraculous unless you have an understanding of how the trick is performed.
Which leads us to the second point: when Clarke said “magic”, he meant stage magic: illusion, prestidigitation, misdirection. He didn’t believe in the supernatural (though he took a while to come to that position, admittedly, after an early fascination with the paranormal), but he understood the power of showmanship when combined with a lack of knowledge in an audience — and he recognised that technology’s appeal lies exactly in its seeming magicality, its something-out-of-nothingness; that’s how you sell it.
It was true in the time of Edison and Tesla, and it’s still true now, that “technology” (which is itself a suitcase word that has come to refer to shiny consumer products rather than sociotechnical systems of practice) is largely an obfuscatory front-end to the provisioning capacities of infrastructure. That’s why Edison, cunning bastard that he was, worked so hard on developing usable light-bulbs: he understood that infrastructure is too abstract a proposition, but that applications are an easy sell. As such, Clarke’s Third Law is best understood as a proleptic critique of solutionism — though I suspect Clarke himself might have balked at that characterisation. (He was rather more an optimist than I am.)
There’s a lot more to this riff, and I’m currently rather too busy trying to find some gainful employment to write about it at length — but if you’ve 45 minutes to spare, and you’d like the full unpacking of Clarke’s Third Law as it relates to technology and infrastructure in the 21st Century (all wrapped up in a furious critique of transhumanism, which is basically Clarke’s Third elevated from mere business model to the status of a religion without a god), then y’all might want to watch the this video of a talk I gave in Munich last year: