velcro city tourist board

a blog by Paul Graham Raven

science fiction / social theory / climate futures / infrastructure / utopian narratology / sometimes cats

  • The last days of the Next Big Thing

    Today, social media enables young people to engage with culture and politics in all kinds of ways that have nothing to do with music; from the 1960s to the 1990s, music was pretty much all there was. It seems likely that, in the broad sweep of cultural history, the period circa 1955 to circa 2000

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    🙜
  • Stories are allergic to indifference

    I’m not making the facile if true observation that the contents of stories are lies, of one kind or another (that there is no such person as Oliver Twist, say; or that neither Hogwart’s School nor the subjects it teaches are real—you know: the obvious stuff). Nor am I presenting the equally facile observation that

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  • BAU infrastructure futures

    Residents of Lebanon have three basic options: buy a generator subscription, own your own generator, or splurge for what’s known as an uninterruptible power supply. When you move into an apartment, you will most often connect with the local generator owner who will set up a subscription for 5 amps, 10 amps, 15 amps, or

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    🙜
  • The particular gift

    It is the particular gift of genre fiction to assume a different background to the mainstream and so delineate character from a different angle. Science fiction carries this change of perspectives to extremes. By changing what counts as figure and what as background, the characters can be seen in ways otherwise impossible – and so,

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  • Note to self

    “This thing we do is not in the nature of a service industry. As a creator, please yourself first. An audience will show up or they won’t. That’s their call. It’s on you to produce the kind of work you want to see in the world.“ Warren Ellis, saying exactly what I needed to hear

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Who is Paul Graham Raven?

“… who, with raving lips uttering things mirthless, unbedizened, and unperfumed, reaches over a thousand years with [his] voice, thanks to the god in [him].”