Month: October 2022

  • palpably anxious authors

    Interesting and accidental juxtaposition in these two bits from very different scenes and sources, which nonetheless rhyme strongly: In my most cynical moments, I wonder if the return to literary moralism isn’t an evolutionary tactic of publishing’s extant power structures, substituting real-world issues of employment and portfolio identity representation—which do matter—with equitable representation within individual…

  • complaints of a reluctant LARPer

    Talking to an old friend about LinkedIn the other day, said friend described it as “business LARP”. The topic came up because, as a person who is easing themselves back into the searching-for-gainful-employment game, I am now obliged to engage with LinkedIn: in Sweden, it’s basically the default platform through which almost all recruitment takes…

  • Au ‘voir, Oncle Bruno

    Very sad to hear about Bruno Latour’s passing on Sunday—though perhaps not exactly surprised, as I was aware he’d been wrestling with some form of cancer for a while. I’m not a good enough philosopher or theorist to talk eloquently of his position in and influence upon various fields of knowledge, except to note that…

  • 06OCT22 / accessions

    Went looking for the new Saga, which has yet to arrive on Swedish shores, but the new Monstress is a fine tide-me-over. A very dark and maximalist series, this, in both its art style and story; Liu’s short prose fiction seems much less densely packed, somehow. But something about this story keeps me coming back;…

  • [x] springs eternal

    If a poet wants to say anything meaningful about the world, he must not push the world away from himself or seek in any way to avoid it. Despite the best of plans and intentions, the world is more chaotic than ever, and this chaos is pushing it with increasing speed toward self-destruction. The poet must…