velcro city tourist board

a blog by Paul Graham Raven

science fiction / social theory / climate futures / infrastructure / utopian narratology / sometimes cats

  • Nominations and nominality

    Quoth the redoubtable Nicholas Whyte: This is a very well done and well executed piece of work, and I really enjoyed reading it and can understand why people nominated it. However it is clearly a work of fiction, so I won’t vote for it at all in the Best Non-Fiction category. Well, it’s clearly not a…

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  • Immortality and infrastructure

    Every technology requires a physical infrastructure in order to operate. But this infrastructure depends on social institutions, which are frequently subject to breakdown. I made this point when I bumped into some ardent advocates of cryonic suspension in California in the 1980s. How long would it take to develop the technologies that were needed to…

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  • Literature as laboratory

    Nailed it, Naomi. Every utopia contains a dystopia. Every dystopia contains a utopia. The conclusion I’ve come to through extensive speculative fiction voyaging is that the best we can hope for, probably, is to create a society that tries hard not to leave people out. And to be vigilantly alert to the people we are…

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  • The caul of the wild

    … when you blame McCandless for being naive and failing to learn anything about the problems he would face in the “wild”; or when you blame Knight for living off the land the way a Yosemite bear or suburban racoon might, that is as “the land” now presents itself, you are really, if unintentionally, mourning an…

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  • The critical utopia vs. the consumptive picaresque

    Three things make a post, as we used to say. Here’s Yuval Noah Harari — whose book(s) I really need to make the time to read in full — being roundtabled at Teh Graun: The key issue is that because our power depends on collective fictions, we are not good in distinguishing between fiction and…

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Who is Paul Graham Raven?

“… who, with raving lips uttering things mirthless, unbedizened, and unperfumed, reaches over a thousand years with [his] voice, thanks to the god in [him].”