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a blog by Paul Graham Raven

science fiction / social theory / climate futures / infrastructure / utopian narratology / sometimes cats

  • 13AUG22 / accessions

    Actually bought yesterday, but whatevs. Doom Patrol 2 because the first one was OK. The Liu because I’ve been enjoying Monstress, so why not see what she can do with words alone? The Palmer because look I thought we agreed not to talk about this and anyway I’ve invested a bunch of time on the…

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  • Nightmare on Planet Thanet: Rosa Rankin-Gee’s Dreamland

    Anyone of the “climate dystopias are surplus to purpose” school of thought might as well click away now; Dreamland is very much not the droid you’re looking for. A staggeringly bleak extrapolation of post-Brexit Britain, taking as its focus the recently (and probably temporarily) reinvigorated seaside town of Margate as its setting, I’m not sure…

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  • linguistic calculus

    Yesterday’s XKCD has (if you’ll excuse the pun) particular resonance for someone still fighting to learn Swedish as a second language: That said, I dare say most Swedes would see this as a joke about (the) Danish.

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  • delete after writing

    Greetings from the midst of what seems to be an enduring motivational slump, and/or a mismanaged case of burn-out which is still smouldering, and/or a resurgence of a well-entrenched fear of uncertainty regarding (un)employment which, while understandable in terms of its formation, is profoundly maladaptive nonetheless. I can’t write right now. I mean, OK, sure,…

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  • as if there was necessarily just one transition

    Graeber and Wengrove again, referring to archaeological evidence from the soi disant ‘Fertile Crescent’: If the situation in just one cradle of early farming was that complicated, then surely it no longer makes sense to ask, β€˜what were the social implications of the transition to farming?’ β€” as if there was necessarily just one transition,…

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Who is Paul Graham Raven?

“… who, with raving lips uttering things mirthless, unbedizened, and unperfumed, reaches over a thousand years with [his] voice, thanks to the god in [him].”